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May 2, 2019

Sleep No More - Open - Dancers
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Region: Eastern

Seeking:Male Dancers: Male, 18+, Seeking male professional dancers with a minimum of three years' professional concert, dance, or company credits for "Sleep No More." It is essential that performers have very strong contact/partnering skills and excellent contemporary dance technique. Physical theater and versatility are helpful, as the roles require fluidity between naturalistic and stylized performance. Looking for dynamic performers with openness and ability to take on and tell a story through movement.


Look-Alikes/Actors & Street Drummers for Warner Bros. World Abu Dhabi - Open - Actors
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Region: Eastern

Seeking:Superman (Lead): Male, 19-40, athletic physique, confident personality. Height: 1.85m - 1.90m. Batman (Lead): Male, 19-40, athletic physique, stunt work experience, and confident personality. Height: 1.82m - 1.90m. Green Lantern/Hal Jordan (Lead): Male, 19-40, athletic physique, confident personality. Height: 1.80m - 1.88m. Green Lantern - Simon Baz (Lead): Male, 19-40, athletic physique, stunt work experience & confident personality. Arabic male actor. Preferably able to speak Arabic & English. Height: 1.80m - 1.88m. Green Lantern - Jon Stewart (Lead): Male, 19-40, athletic physique, stunt work experience, confident personality. Height: Actor 1.85m - 1.93m The Flash (Lead): Male, 19-40, athletic physique, confident personality. Height: 1.77m - 1.82m. Cyborg (Lead): Male, 19-40, athletic physique, confident personality. Height: 1.88m - 1.93m. Robin (Lead): Male, 19-40, athletic physique, martial arts experience, and confident personality. Height: 1.70m - 1.75m. Catwoman (Lead): Female, 19-35, athletic physique, acrobatic skills, confident personality. Height: 1.75m - 1.8m. Wonder Woman (Lead): Female, 19-35, athletic physique, confident personality. Height: 1.75m - 1.8m. HARLEY QUINN (Lead): Female, 19-35, athletic physique, acrobatic skills, confident personality. Height: 1.70m - 1.75m. The Joker (Lead): Male, 19-45, confident personality. Height: 1.82m - 1.9m. The Riddler (Lead): Male, 19-40, confident personality. Height: 1.77m - 1.82m. Shaggy (Lead): Male, 19-40, slim physique, confident personality. Height: 1.77m - 1.85m. Aquaman (Lead): Male, 19-40, athletic physique and confident personality. American accent required. Height: 1.77m - 1.82m.


Once Upon a One More Time - ECC - Dancers
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Region: Eastern

Seeking:Equity Dancers: 18+, who sing for the ensemble.


Monopoly - EPA - Singers
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Region: Eastern

Seeking:Two fun things about playing a game –  1. You get to play. 2. You don’t know how it’s going to end, because the tables can turn at any time.  So here is MONOPOLY, a musical based loosely on the world’s most famous game – and we want the audience experience to be “you get to play and you don’t know how it’s gonna end, ‘cuz the tables can turn at any time.”  Now this may sound like a thriller, a whodunit mystery more than a musical comedy. But MONOPOLY isn’t a whodunit – it’s more of a what-the-fuck – in the style of the screwball comedies of the 30s, but fresh, and for our world now. It’s spanking new in sensibility and tone – and mostly, the audience will have fun playing along.  You can’t describe it, because you’d have to use words like zany. Awful adjectives don’t do the job, and outlining the plot gives away the story, which we don’t want to do. Suffice it to say, it’s a story about a powerful woman (!!) who beats the house back in Prohibition Era Atlantic City. And beats it good.  Oh, btw: the game of our show is built around two central themes:  The first is a riddle:  A police officer is walking outside of a diner. He hears somebody yell inside the diner "No, John not the gun!!" followed by a gunshot. The officer immediately runs inside and finds a milkman, a doctor, a lawyer – and the dead body. The cop immediately arrests the milkman.  How did the officer know the milkman man did it? (The answer, if you don’t already know it, will reveal itself in the climax of our show.)  The second is a moral conundrum: You’re out in a big boat, and you see two men. One of them is in a rowboat and he’s tired of rowing and wants a free ride. The other one is drowning.  You can only help one of these guys. So who would you rescue? The one who wants a free ride? Or the one who’s drowning?  Any ten-year-old child knows the answer to that.  Fun, big starry performances. Great songs. And a Boardwalk. What else do you need to know?  -- The Authors  Seeking the following principal roles:  KAT THIMBLE 30s-40. Belter Raised to believe females can do anything males can. A natural leader, at a time when women are mostly followers. Fearless, passionate, devoted to her grandmother, who at one point fifteen years before our story, was her roommate. Willing to risk everything for The Big Play. Which, in our screwball story, forces her into a double life nobody (including the audience) understands – one, a gossip columnist who dishes the dirt on Atlantic City’s big-wigs and hoi-polloi; the other, a ruthless, testosterone-drenched builder/developer feared and loathed by man and beast. Kat is a star – the molecules move when she walks into a room, even if she trips and pratfalls as she enters. She’s curious, intelligent, ironic, and, as our story opens, beginning to feel it’s time to come out from behind the pebble-glass door that hides the real Katharine Thimble from the world. But let’s be clear – Kat Thimble wants to rule the Boardwalk, the temples, pagodas and kiosks of Steel Pier delights, and the great human wave of pleasure-seekers, sticky children and insolent youths who parade there every day.  SCOTTY IRONS Mid 20s-Early 30s. Tenor Belter A boy who doesn’t miss much. A life-long townie and proud of it, Scotty was left by his mom when he was only a baby, to be raised by a family friend (Uncle RT), and brought up on the Boardwalk. Tortured by the tough kids, he might’ve fallen in with a bad crowd if it hadn’t been for Uncle RT – who instilled in Scotty an effortless salt-of-the-earth heroism that is his defining characteristic. As a kid on the North Caroline Avenue Pier, he would hang out on the beach, looking up at the lifeguards, sitting high up above everybody else like they were royalty. So it was no big surprise when Scotty blew off college to become an Atlantic City lifeguard himself. And now, he’s the guy the kids look up to, the lifeguard the other lifeguards gravitate towards. Scotty’s ambitious, clever, loyal, horny, apparently honest, and not-so-secretly, a romantic. But he’s still the kid who was deserted as a babe, so he can also be defensive, anxious to prove himself, and even cagey. In fact, he’s got a big surprise at the end of the show.  HENRY T. REX 40s-50s. Baritone Henry T. Rex wasn’t always a real-estate tycoon. Years of alcohol abuse forced him out of his career as a star of stage and silent-screen. When Henry electrified Broadway with his iconic performance as Hamlet, Hollywood ponied up for a film version – but Henry was so drunk at the screen test, he could not remember anything after “To be or not.” The film project was scrapped. Pretty soon, Henry was using cue cards on stage to remember his lines, and even then, he began changing words to suit his own drunken meaning, confusing his fans and quickly wrecking his career. Fortunately, this coincided with his marriage to Maisie Green, daughter of the premier land baron in Atlantic City. And so, the unemployable actor lucked out, taking over his father-in-law’s business and becoming a real-estate kingpin, using all his years of experience on stage to act rings around his competitors – and to scheme and deceive with the best of ‘em. Now he’s a hold-out, owning the last group of properties – the Green properties – that his enemy needs in order to tear down the boardwalk and put up a slew of big hotels. But he’d sell ‘em – he’d sell his very soul – if it would help restore the grand passion to his now-loveless marriage to his beloved Maisie.  MAISIE GREEN 40s. Legit Soprano A former opera star, and obsessed with music – the singing of, the listening to, the reveling in. Not only was Maisie wildly successful and hugely talented, but – as Hunter Green’s only child – she was the heir to Atlantic City’s popular Green properties. Then Maisie met Henry T. Rex, star of stage and silent-screen, and lost her heart. That was ten years before our story takes place. Ten years later, she wrote this message in Henry’s most recent birthday card: “To my dear, soused, excuse for a husband – If I’ve learned anything from our nuptial disaster, Henry, it’s that marriage is the death of hope. So I’ve decided to do what Lucia does in Lucia Di Lammermoor. I’m going to take a lover. And if I’m lucky, this man’s passion will keep him sober enough to never do what you have done – take a soul-destroying job that makes one doubt the value of life itself. Happy Birthday and lots of love, Maisie (heart-emoji)”  ROBERTO PAZ 30s-40s. Baritone Long after most everyone else has gotten out of the Lothario business, Roberto Paz still breathes terror into the hearts of husbands everywhere. He is that threat to civilized society, the dreaded Latin Lover before whom vulnerable women tremble and at whose feet they fall. This particular Latin Lover happens to hail from Flatbush. It is, rather, the Latin language that Roberto loves – a language he mastered by the age of twelve, on the verge of his first conquest. At the height of Prohibition, Paz was hired to be bandleader in Henry’s speak-easy. The female attendance spiked immediately, and soon Paz was tango-ing women nearly in half – doing vertically in public what other men dare only do horizontally in private. Roberto is divinely handsome, heartless and hirsute, devout yet notoriously cool with extra-marital couplings - wed only to his piratical career of wife-stealing with a single-minded devotion from which no good shall ever spring.  CC 40s-early 50s. Barn-burning Belter A no-nonsense, good-time gal, who’s spent a lifetime looking for the man with whom she had a one- night stand many years ago. It was a torrid night under the boardwalk, the moon was high in the inky sky, and she believed with all her heart that love was in the air. But in the cold light of day, he left her, and she’s been singing about it – her under-the-boardwalk one true love – ever since. CC performs as the headliner at Henry’s speak-easy, and still has enough of her girlish charm intact to turn a man’s head and leaven his dreams. Stiff in the lip and loose in the hip, she’s known as Community Chest.  CHANCE 40s-early 50s. Tenor, plays guitar A white knight from Texas in search of the damsel he abandoned years before. Almost thirty years before our story, Chance hitched all the way to Atlantic City for a spell. Had some fun, made love to a girl, lost his shirt at the casino, and headed home to Texas all by his lonesome. After that, he played dive bars for drinks and tips, until he finally had enough for a bus ticket to Chicago. But the bus was hit by lightning on the way north and crashed. Chance – who lost everything in the crash except his guitar – hopped a couple of trains until one pulled into Atlantic City on the B&O last night. And now, here he is, almost thirty years later, ready to look life in the face; finally ready for his lucky break.  RT GOLD 50s-80s. Belafonte-Calypso Baritone Scotty’s “Uncle” – who raised the boy when his mother left him in RT’s pawn shop on the Boardwalk. He was born in Jamaica, the child of a black mother and a Dutch Jewish father, who drifted over to the islands after chasing gold with no luck at all. When RT married, he headed for the beach up north off Atlantic City, working as a janitor’s assistant at a hotel until a guest gave him, as a gratuity, a pawn ticket. Instead of redeeming the ticket, he took a clerk position at the shop, eventually becoming the proud owner of Gold’s Pawn Shop in 1902. When the Reading Railroad bought him out to extend the rail lines to the shore, RT was suddenly a wealthy man. Since then, he’s been a “pay-it-forward” stalwart of the local community, the very definition of the classic good citizen – a quality he’s also instilled in the boy he raised from infancy, Scotty Irons.  RING DIAMOND 50s-60s. Bari-tenor A vicious would-be Master of the Universe who’s more than likely to lead anyone, including himself, into disaster. Would sell his own mother for a piece of property, would sacrifice his best friend for a leg-up on a big deal. Cheerfully admits his only goals are personal gain and global domination. Even his appearance – morning suit, top hat and waistcoat, monocle and mustache – declares his credo: Winning is Everything.  This actor doubles as SNAKE EYES There are thousands of men working as nightclub bouncers in the world, but only Snake Eyes is known as The Angel of Anguish. He enjoys keeping townies out of Henry’s legendary club – especially the lifeguards. This, from a lifelong aversion to young men who are sun-burnt and buff, possibly due to his own white and pasty complexion, and the fact that his mother deserted his father for a lifeguard in Miami Beach. Bouncing is only Snake Eyes’ fall-back job, however. His dream is to be a big band singer, and shortly after our show takes place, he will record several albums including I Just Want to Pull Your Taffy (1934), Roll Dem Dice (1935), and My Socks are Still Wet (1935).


Portland Center Stage 2019-2020 Season - EPA - Actors, Singers
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Region: Eastern

Seeking:“In The Heights” The following roles have been cast: Usnavi De La Vega: cast. Nina Rosario: cast. Kevin Rosario: cast. Camila Rosario: cast. Benny: cast. Vanessa: cast. Sonny: cast. Abuela Claudia: cast. Daniela: cast. Carla: offer pending. Graffiti Pete: cast. Piraguero: cast. Ensemble: offers pending. Female Swing: cast. Seeking: Male Swing: 20s-30s. Strong dancer and versatile singer (preferably tenor-range) who can cover a variety of roles. _____________________ “Macbeth”  Seeking three actors with confident singing ability (specifically with acapella music) who will share the entirety of roles within Shakespeare’s Macbeth. Macbeth Et al.: Female Identifying. 30s-40s. A general hungering to fulfill a legacy once promised. Also plays Ross, Doctor, Murderer, Witch, and others. Lady Macbeth Et Al: Female Identifying. 20s-30s. A future queen consumed by lust for power. Also plays Malcolm, Ross, Fleance, Murderer, Witch, and others. MacDuff Et Al: Female Identifying. 50s-60s. A nobleman striving to restore order through vengeance. Also plays Banquo, Ross, Lennox, Witch, and others. ________________ “Red Wood”  Meg Durbin: Black woman, mid 20s. A middle-school English teacher with a flair for the dramatic. Partner to Drew. Drew Tatum: White male, early-mid 30s. A Ph.D. candidate in Quantum Mechanics, a bleeding heart. Partner to Meg. Stevie (Steve) Wilson: Black man, late 40s. Meg’s uncle. Exuberant and always right. Mom (Beverly Durbin): Black woman, early 50s. Goofy, but wise. Instructor: Black man, 40s. Weary task-master. Harriet/Hattie: Filipino-American woman, 40s. Also appears as Meg’s best friend, Drew’s step-mother, and an ancestor. Tatum: White man, 30s. Eager, very “Broadway.” Also appears as Drew’s father, and Master Tatum, at which points he becomes very “paternal” and very “Confederate,” respectively. Allie/Alameda: Black woman, 30s. Eager, very “Broadway.” Also appears as Meg’s ancestor, at which point she becomes very “Medea.” ___________________ “Miss Bennett: Christmas At Pemberly”  Mary Bennet: Earls 20s Finally coming in to her own, she is no longer the plain, boring girl she once was. She has a fire in her now. She is intelligent, curious, and lively, but her family only sees her as a future spinster. She does not suffer fools. She wants to live. Arthur de Bourgh: Mid 20s. A studious, unsociable only child who has never been around women or large families. He is a loner who prefers books to people. He has recently inherited a large estate and has no idea what to do next. Elizabeth Darcy: Early 20s. Married to Mr. Darcy. Confident, charming and witty. She makes a fun and surprising lady of the house. She is best friends with her sister Jane. Fitzwilliam Darcy: Late 20s -Early 30s. A loving, generous, and smart (if slightly stiff) husband. He is quiet and vigilant and thus sees what others often miss. He knows what being lovelorn is like. Jane Bingley: Mid 20s, married to Mr. Bingley. She is seven months pregnant with her first child and is sweet and optimistic as ever. The kindest heart in the house. Charles Bingley: Mid 20s. Gracious, happy, and ever focused on the love of his life, Jane. A good friend and always ready with a smile. Lydia Wickham: 18+ to play 17. Flirtatious, youthful, self-centered. Her marriage to Mr. Wickham is a sham but she will not admit this. She is the person you want to have at your party: energetic, engaging, unstoppable. Anne de Bourgh: 20s. Only daughter of the late Lady Catherine de Bourgh. Lived in her mother’s very large shadow, never having to ask for anything or speak for herself her entire life. Judgmental and impatient, just like her mother. ______________________ “Hedwig And The Angry Inch” Hedwig: Tenor. 20s-30s. Hedwig is a genderqueer rock star and a transcendent talent. Perpetually abandoned, perpetually resilient. Yitzhak: Mezzo Soprano. 20s-30s. A Jewish drag queen from Zagreb, and Hedwig’s backup singer. Verbally abusive to Hedwig, obviously threatened by her exceptional talent. ___________________ “School Girls; Or The African Mean Girls Play”  Paulina Sarpong: Ghanaian, 18 years old. Most popular girl in school and knows it. She is beautiful, talented, vindictive yet somehow loveable. Ericka Boafo: Ghanaian, 18 years old. She is a transfer student and is new to school. She is seemingly nice but people do not know much about her. Ama: Ghanaian, 18 years old; the sensible, smart one of Paulina's pack. Is not afraid to say it like she means it. Nana: Ghanaian, 18 + to play 16 years old; the simple pseudo dumb one of Paulina's pack. She struggles with her love of food and snacks. Very sensitive. Mercy: Ghanaian, 18+ to play 16 years old; the witty sidekick to Gifty and will do and say anything to stay a member of Paulina's pack. Gifty: Ghanaian, 18 + to play 16 years old; the 'Frick' to Mercy's 'Frack' ; loves being part of Paulina's pack and will do anything to be considered cool. Headmistress Francis: Ghanaian, 40's; the Headmistress of Aburi Girls Boarding School; loves the girls but is also constantly exhausted by them. Eloise Amponsah: Ghanaian, 40's; Extremely poised and well mannered former Miss Ghana 1976. She now is a recruiter for the Miss Ghana Pageant. She speaks with a slightly affected British accent and prides herself in always being a lady. ______________________ “The Curious Incident Of The Dog In The Nighttime” Christopher: offer pending. Siobhan: offer pending. Ed: 40s-50s. Christopher’s father and a recent widower to wife JUDY. A loving father who occasionally reacts explosively to Christopher’s behavior. Protective to a fault. Judy: 30s-50s. Christopher’s mother. Equally loving a parent as Ed. Alternatingly independent, strong-willed, and doubtful of her abilities to care for Christopher. Mrs. Shears Et Al: offer pending. Roger Shears Et Al: 40s-60s, also plays Duty Sergeant, Mr. Wise, Man Behind Counter, Drunk One, and Voice Two. A Policeman Et Al – 20s-40s, also plays Policeman, Mr. Thompson, Drunk Two, Man With Socks, London Policeman, and Voice Three. Reverend Peters Et Al: offer pending. No. 40 Et Al: 20s-40s, also plays Lady In Street, Information, Punk Girl, and Voice Five. Mrs. Aleaxander Et Al – 40s-60s, also plays Posh Woman and Voice Six. _____________________ “9 Part Of Desire” Mullaya Et Al: 30s – 50s, one actor to play nine Iraqi women at varying stages of their lives, from early childhood through old age. ____________________ “Howard’s End” Margaret Et Al: offer pending. Helen Et Al: offer pending. Henry Et Al: 20s – 40s. The Patriarch of the family. Imperialist masculinity manifest – a man emboldened by stoicism who only lets his feelings be shown as he falls for Margaret. Also plays Aunt Juley and Cousin. Leonard Et Al: 20s – 40s. Intellectually ambitious and romantic, but trapped in a dead-end job he hates. A young man prematurely worn by the stress of obsessive self-improvement. Also plays Paul Wilcox, Tibby, Butler, Niece, Doctor, Little Boy, and Ticket Agent. _________________ “Cambodian Rock Band” (Lauren Yee, playwright; Co-production with Oregon Shakespeare Festival and La Jolla Playhouse. Rehearsals begin May. 23, 2020; runs May 30-June 28, 2020) Chum: offer pending. Neary: offer pending. Ted: offer pending. Duch: offer pending. Rom: offer pending. Pou: offer pending.


I Spy A Spy - EPA - Singers
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Region: Eastern

Seeking:[JOSE RODRIGUEZ] Male, Latino, 20s, pop tenor. Ideally no taller than 5'7" or thereabouts. An enterprising, undocumented Mexican immigrant (Dreamer). He's not the biggest guy on the block, but he has the biggest dream. Ambitious, street-smart, charming. Ideally speaks some Spanish as well as having great comedic ability.  [ALINA ORLOVA] Female, Russian (character does NOT have an accent), 20s, soprano with belt. Ideally taller than 5'6". All business, this charismatic Russian spy is bent on undermining the West. On the surface, she's a cool operator, but there's a warmth underneath. No Russian accent but must have great comedic ability.  [SUNNY PARK] Female, Korean, 40s-50s, mezzo/alto. A proud Korean owner of Hell's Kitchen's best corner deli. Business oriented, but deep down, yearning for love. Should have facility with Korean accent, as well as great comedic ability.  [ABDUL MAKHDOOM] Male, Pakistani, 40s-50s, baritone. A passionate Pakistani pizzeria proprietor with dreams of a Michelin Star and a wife. Romantic and a bit vague. Should have facility with Pakistani accent, as well as great comedic ability.  [COLD BORSCHT] Male, Russian, 40s-50s, baritone. One of Russia's most awarded spies and Alina's father. Imposing, demanding, superior. Should have facility with mild Russian accent, as well as great comedic ability.  [PRISCILIANA ESPINOZA] Female, Latina, 40s-50s, mezzo. A Mexican mafiosa with a corrupt flair for deal-making. She's raunchy, devious and a powerhouse of dominatrix energy. Must have convincing Mexican accent and comedic ability.  [BEEF STROGANOFF] Male, Russian, early 20s, tenor. A pale-skinned denizen of the dark web. Speaks hacker jargon. Must have comedic chops and ability to play a variety of characters.  [MRS. BROWN] Female, any ethnicity, 30s, soprano-belt. A hard-nosed US government agent. Must have good comedic chops and ability to play a variety of characters.  [MR. GRAY] Male, any ethnicity, 30s, bari-bass. A hard-nosed US government agent. Must have good comedic chops and ability to play a variety of characters.  [LENNY] Male, any ethnicity, 30s, bari-tenor. A smarmy casting director. Must have comedic ability and ability to play multiple roles with various accents.


Chance - EPA - Singers
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Region: Eastern

Seeking:Gregory: Male, 50-59, strong bari-tenor; still handsome, though he would argue he isn't; charming, funny in a self-deprecating way, loves the golden age of Hollywood and seriously pursued a career as a set designer but gave it up easily for a more lucrative career as a freelance industrial psychologist; a bit of a crooner; when he sings, his longing, passion, and hopefulness comes out; actors of all ethnicities encouraged to audition. The Lady: Male, 30-49, a true high tenor; she is an unidentifiable Hollywood silver screen icon; elegant, world-weary demeanor and glamour of a romantic star; she is an amalgamation of Marlena, Greta, Joan, Gloria, Tallulah, Bette; torch singer with a European cabaret flair (Brecht/Weill, Jacques Brel); can go from tender and understanding to mocking and even cruel when the occasion calls for it; actors of all ethnicities encouraged to audition. Chance: Male, 20-25, strong pop/rock tenor; an almost unearthly, classical male beauty (Michelangelo's statue of David); raised in a rural area, outcast as a gay, young man; can be very seductive, particularly to older men, yet retains some of his childlike innocence; tough and a bit dangerous, but still vulnerable; he is searching for his self esteem; must be comfortable appearing topless on stage and in advertising; actors of all ethnicities encouraged to audition.


Newsies - EPA - Singers
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Region: Eastern

Seeking:Jack: Male, 18-25, the charismatic leader of the Manhattan newsies, he is an orphaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West; fiercely protective of his best friend, Crutchie, and strongly loyal, Jack isn't afraid to use his voice to attain better conditions for the working kids of New York City; though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability, especially when it comes to bantering with a certain female reporter; must have a great pop tenor voice and sense of physicality. Davey: Male, 18-25, Les’s straight-laced, bright big brother, he starts selling newspapers to help his family earn a living, but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance; tenor.


Irving Berlin's 'White Christmas,' SETA Tour - ECC - Dancers
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Region: Eastern

Seeking:Equity Female Singers: Female, 18-49, characters are early 20s to early 40s, all types and vocal ranges. Note: This is the musical based on the classic movie musical White Christmas, featuring the timeless songs “Blue Skies”, “Love You Didn’t Do Right By Me”, “I Love a Piano”, and of course the title song “White Christmas.” Equity Male Singers: Male, 18-49, characters are early 20s to early 40s, all types and vocal ranges. Note: This is the musical based on the classic movie musical "White Christmas," featuring the timeless songs “Blue Skies”, “Love You Didn’t Do Right By Me”, “I Love a Piano”, and of course the title song “White Christmas”. Equity Male Dancers: Male, 18-35, characters are early 20s to mid 30s. Major tap skills and must be equally strong in ballroom and theatre jazz. Must sing very well. Note: This is the musical based on the classic movie musical White Christmas, featuring the timeless songs “Blue Skies,” “Love You Didn’t Do Right By Me,” “I Love a Piano,” and of course the title song “White Christmas.” Equity Female Dancers: Female, 18-35, characters are early 20s to mid 30s. Major tap skills and must be equally strong in ballroom and theatre jazz. Must sing very well. Note: This is the musical based on the classic movie musical White Christmas, featuring the timeless songs “Blue Skies,” “Love You Didn’t Do Right By Me,” “I Love a Piano,” and of course the title song “White Christmas.”


New York Musical Festival 2019 Season (Day #2) - EPA - Singers
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Region: Eastern

Seeking:"Black Hole Wedding: The Green New Musical" If unable to attend EPA, send submissions to cindirushsubmissions@gmail.com Synopsis: Lying, stealing, forging, kidnapping, government-manipulating oil baron Dean captures and warehouses renewable energy discoveries. Uber-geek Raymond fights back with a black hole trash compactor. Will Dean feed Raymond’s fiancé to the black hole, in his campaign to promote capitalism by crushing competition? Will true love prevail in the face of ultimate greed, a chicken-bone fuel generator, and booth babes doing a strip tease where the black hole sucks their clothes off? Find out in this zany satire of energy politics, Black Hole Wedding: a love story with a pure heart, wrapped in a warped world where truth doesn’t matter, integrity doesn’t matter, but golf is essential. Style: "Black Hole Wedding" is a satire in the genre of "How to Succeed in Business," "Little Shop of Horrors," "Funny Thing Happened on the Way to the Forum," "Pirates of Penzance" & "Urinetown." Non-traditional casting encouraged for all roles except Dean, who is the zany embodiment of traditional patriarchy. Note: The music is challenging. Good sight reading skills useful. Seeking Raymond: Tenor. Required: C3 to A4 -- Ideal: Bb2 to Bb4. 23. Uber-geek who rides a mean scooter. Raymond graduated cum laude from MIT. The show opens on his 1st day at his 1st job. In the course of the show, he gets his first kiss, finds true love, battles corporate greed and saves the world. Summer: Soprano. Required: Bb3 to G5 -- Ideal: A3 to G5. 22-25. A masseur who’s really a masseur. Caring and irresistible. Wise, humorous and wholesome, in an Ayurvedic way. Mr. Dean: Baritone. Required: C3 to G4 -- Ideal: A2 to A4. 35-65. CEO of Worldwide Universal Holdings. Neo-Con robber baron with an overlay of golf. An updated, over-the-top pirate king, who promotes capitalism by crushing the competition. Calista: Alto. Required: A3 to E5 -- Ideal: G3 to F#5 Admits to 30. Worldwide marketing director. A cheerleader who never hung up her pompoms. She drives the show and has a solo where she seduces information out of the hero with innuendo and pompoms. Must dance. Eugene: Baritone. Required: G2 to C4 -- Ideal: F#2 to G4. 35. Head of Worldwide Security – a Rambo Wannabe. He sees kidnapping as an expression of pure love and brings Godiva chocolates with his handcuffs & taser. Eugene revels in his own badassitude. John Wayne Satturgee: Tenor Required: C3 to G4 -- Ideal: Bb2 to G4. 20s. Engineering graduate (doubles Process Server & Ambassador). Actor from India very strongly preferred. Must dance. Spock: Tenor Required: C3 to G4 -- Ideal: C3 to A4 Engineer (doubles Shredder Man & Guard). Must dance. He has a crisis of conscience and a solo song, wondering whether reverse engineering a black hole that could swallow the world is a good career move? Morton: Baritone Required: G2 to D4 -- Ideal: G2 to G4. Engineer (doubles Fed Chair with authority over all mergers and acquisitions. He performs a hostile take-over thinly disguised as a wedding.) Olivia: Alto A3-D5. Dean’s golf caddy/secretary. She believes kidnapping is not proper golf etiquette. Booth Babe Lucy: Mezzo Required: C4 to Db5 -- Ideal: Bb3 to F#5 (doubles Edna & Costumer). Zany, enthusiastic and adorable. Must dance. Booth Babe Georgina: Mezzo Required: C4 to Db5 -- Ideal: Bb3 to F#5 (doubles Priscilla & Model). Zany, enthusiastic and adorable. Must dance. ================================ Breakdown "My Real Mother" Synopsis: Alaina and Alex are strangers when Alaina and her husband adopt Alex's baby girl, but they form an unexpected bond that transforms them both. Chronicling 25 years of their tumultuous and powerful relationship, Alaina and Alex make up the rules as they go along, colliding with their families, jobs and obligations, determined to ensure the child turns out okay. Narrated by Sara, the young woman that baby grows up to be, My Real Mother is filled with humor and heart and set to a lush, contemporary musical theatre score. Seeking: Alaina: (Female, 50+) A spiritual, emotionally connected woman coming into her own a little later in life. Her innate sense of empathy has always led her to put everyone else before herself. Loving so easily has often lead her to problems, but she embraces them. Not without fire, she has a lot of selfawareness and knows she's not perfect. She works as a teacher and school counselor. Soprano/mix to F. Alex: (Female, 25) An impetuous and headstrong young woman. Often the brunt of life's cruelties, instead of wallowing in victimhood she unabashedly goes after her heart's desires. This has left her rather selfish, but not in a narcissistic way; she loves so hard and is scared to lose it. She is a hair stylist. Mix/belt to D. Sara: (Female, 20s) Alex's biological and Alaina's adopted daughter. A bright, playful, sardonic, well adjusted young lady. Curious and articulate, she grows up to be a nurse. Anchors the show by acting as the narrator before joining the action later in the play. Mix/belt to Eb. Jason: (Male, 30s) A sensitive, well-rounded man who happens to be Mr. Mom. His laser focus on being a great parent gets in the way of everything else in his life. Deeply protective, he can be a little obstinate and see things in black and white. He is a musician. Baritone to E. Duncan/Doug: (Male, 22) A type-A personality pulled from the path he saw for himself. He finds change difficult. Very aspirational and a deep thinker. He has good intentions but has a hard time living in the now. Tenor to A. Jack/Ie: (Male/Female 40s+) A well-humored adoption counselor and mediator. The consummate psychologist, they can see things from many angles and have great communication skills. Able to tame the wildest beasts. Also plays other featured characters throughout the play. Christian: (Male, 20s) Alaina's first born son from her previous marriage. Also plays other featured characters throughout the play. Strong mover and quirky character creator. Liam: (Male, 20s) Alaina's middle son from her previous marriage. Also plays other featured characters throughout the play. Strong mover and quirky character creator. Daniella: (Female, 20s) Alaina's youngest daughter from her previous marriage. Also plays other featured characters throughout the play. Strong mover and quirky character creator.


Stu For Silverton - EPA - Singers
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Region: Eastern

Seeking:[STU] – 40s to 60s, non-binary. Open to all voice types. An entrepreneur, politician, movie theatre owner, and leader in the small rural town of Silverton, Oregon. Stu was named the nation's first transgender mayor when elected in 2008, although Stu identifies as a "gender anarchist." Stu is as much methodical as bold, equal parts brave and kind, pragmatic while also maintaining fabulous, and all at once a mechanic, Rocky Horror lover, inventor, vintage shoe collector, and Oregonian. Frankenfurter meets Dolly Levi. Any ethnicity. SEEKING TRANS/NON-BINARY PERFORMERS ONLY FOR THIS ROLE. OFFER OUT  [VICTORIA] – 40s to 60s, female. Strong belter. Thought she would always live a city-solo life but instead fell in love with Stu and ended up in Silverton – she really wants this conventional town to wake up and shake up. Loves thrifts sales, flea markets, runs a small business, has a wild internal life, loves The Rocky Horror Picture show and is never afraid to speak her mind. Any ethnicity. OFFER OUT  [BARB] – 40s to 60s, female. Strong belter. A good friend of Stu’s since high school, the queen of Silverton – runs a salon, looks fabulous at all times, plays hostess to the book-club, organizes Zumba, and really is the beating heart of this small community. If she does it, everyone else will. Any ethnicity.  [JOE] – 40s to 60s, male. Baritone. All-American, recently lost his job at a hardware store, best friends with Stu until Stu transitions, father of Timmy, husband of Sharon, trying to make ends meet during the recession of 2008. Any ethnicity. OFFER OUT  [SHARON] – 40s to 55, female. Belt/Soprano mix. Married to Joe, a bit younger, mother to Timmy (the last of her children -perhaps an “accident”), wise, considerate, a bit frazzled as she's burning the candle at both ends to be a good mom, wife, citizen, sides with Stu and takes over the power in the household when her husband loses his job. Any ethnicity.  [JEAN-ANNE] – 80s+, female. Strong belter. The grandmother to everyone in the town, beloved, opinionated, religious, the matriarch of Silverton in many ways – very close to Stu’s family until Stu’s transition disrupts this relationship. Any ethnicity. OFFER OUT  [HODGETT] – 40s to 60s, male. Baritone. The mayor of Silverton for many years, representative of the career politicians who sit in office and don’t get much done. Any ethnicity. OFFER OUT  [TIMMY] – 13 to 15, male. Strong belter (in a low alto range). Son of Sharon and Joe, in a way a lot like Stu when younger – perhaps a bit odd and ahead of the curve - smart, sensitive and independent. Any ethnicity. ***Please note: This role will be contracted by a LOCAL HIRE for the 5th Avenue production.


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